Patricia Domínguez Claro (1984, lives and works in Puchuncaví, Chile) is an artist and educator. She sees her work as a stomach that digests reality and recodes it into a planetary prayer. Her inquiries focus on tracing digital and spiritual relationships between living species in an increasingly corporate cosmos, combining experimental research on ethnobotany, extractivism and healing practices through the artistic language of spiritual fiction or spi-fi. Domínguez is also the founder of Studio Vegetalista, an experimental platform for ethnobotanical connections.

Her work has been exhibited at New Museum, Hammer Museum, Modern Monday MoMA, Gasworks London, Wellcome Collection, Gwangju Biennale, Gropius Bau, Museo Thyssen Bornemisza, Museum of Latin American Art (MOLAA), Munch Triennial, Transmediale Berlin, Pinacoteca Sao Paulo, and FLORA ars+natura, among others. Her work was recently included at “Vitamin V, Video and the Moving Image in Contemporary Art”, Phaidon Press (2025) and was awarded the María José Jové Award (2025), Beca de Arte Fundación Botín (2022) and Simetría Residency Award + CERN (2021).

Eduardo Navarro is an artist who lives and works between Chile and Uruguay. His recent group exhibitions include: Itinerarios XXX, Beca Fundación Botin, Spain (2025), Ways of Knowing Walker Art Center, US (2025), The Oracle Ljubljana Biennial, Slovenia (2025), I found a forest at the bottom of the Ocean, Wanås Art Foundation, Sweden (2024). His work has been a part of: The Gherdenïa Biennial (2022), the Toronto Biennial (2022), the São Paulo Biennial (2016, 2010), New Museum Triennial (2015), the Sharjah Biennale (2015). His works are part of the collections of MoMA (USA), LACMA (USA), Castello Rivoli (Italy), MAMBA (Argentina), among others. This year, he was invited to be a faculty professor at the Skowhegan School of Painting & Sculpture (Maine, USA), and he is currently the director of F.O.C.A. (Fundación Oceánica de Contemplación Amorosa, Uruguay).

‘Artists are like flowers; I never really get to smell or see my work, cause if I would, maybe there wouldn’t be the need for bees, and if there were no bees maybe there were no beehives, and no trees, and no soil, and rain, and so on… So It’s always collaborative, whether we like it or not. Clearly flowers smell and see themselves through others, that’s why like flowers, artists say “I love you” in each and every work they do, and consequently over time, learn to live with the uncertainty of not knowing if others do.’ – Eduardo Navarro